Donatella Nicolini

A portrait of a pregnant woman reclining on a sheet of red fabric and cradling her belly.

"When I decided to become a professional photographer, I explored various photography genres, including corporate events, weddings, food photography and still life," recalls Canon Ambassador Donatella Nicolini. "However, nothing brought me the same level of happiness and satisfaction as studio portrait photography. It wasn't until I stumbled upon maternity portrait photography that I found my true passion." Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 70mm, 1/200 sec, f/7.1 and ISO125. © Donatella Nicolini

Masterfully entwining elegance and confidence, Donatella Nicolini's photography captures the essence of an expectant mother with a quiet simplicity that speaks volumes. "My ultimate mission is to empower women through my work," states the Italian photographer, who was born and raised in Milan. "I take great care to make every woman I photograph feel like a professional model. Attention to detail, combined with my unique style, allows me to offer a liberating and transformative experience through photography."

Not only has Donatella's striking yet sensitive style garnered praise from the hundreds of women she has immortalised, but also from the highest echelons of the publishing world, with magazines including Vanity Fair, Elle, Marie Claire and Rolling Stone showcasing her talent on an international scale. In 2023, she was named by Forbes Italia as one of its 100 most successful women of the year, and in 2026 she was presented with the Gina Lollobrigida Award at the 83rd Venice International Film Festival.

"I dedicated three years of my life to the singular pursuit of enhancing my photography and business skills," says Donatella, who today runs her own studio in Milan. "During that first year I took on multiple jobs, any job, just to raise funds for my education and photography equipment. After a year and a half of experimenting with different genres, including weddings, food and still life, I made the decision to narrow my focus and specialise in maternity photography. I noticed that I was brimming with ideas for maternity portraits, and after my first maternity photoshoot, all the inspiration I received revolved around a pregnant woman as the central figure."

A black and white headshot of Canon Ambassador Donatella Nicolini taken by Guido Stazzoni.
Location: Milan, Italy
Specialist areas: Maternity, portraiture
Favourite kit:
A portrait of a pregnant woman with her arms raised above her head and the train of her cream satin dress arranged wing-like behind her.

"The central theme of my work is the empowerment of women, celebrating their strength, beauty and unique journey through various stages of life," says the Italian photographer, whose mission is to make every client feel like a professional model. Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 60mm, 1/200 sec, f/5.6 and ISO1000. © Donatella Nicolini

A portrait of a pregnant woman in a pink floaty dress in side profile against a pink background

"Once the lighting is set and perfect, I then focus on posing and connection," Donatella reveals. "When all these elements come together, when the whole body is beautifully posed and I have a strong, yet relaxed and confident look on my client's face, then I know I have the shot." Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 64mm, 1/200 sec, f/5.6 and ISO320. © Donatella Nicolini

Obsessed with arts and crafts as a child, Donatella moved into photography as a teenager, experimenting with her father's camera, a Canon AE-1. "For me, photography was a natural evolution." she explains. "I felt like I had found a way to create images that were less messy and even more interesting than painting."

It wasn't until she was in her mid-twenties, though, that she saw the potential to turn her passion into profit, with the idea surfacing during a stint living and working at a Wild West theme park in Sweden with a troupe of creative performers. "It sounds crazy, but it's true!" she laughs. "One day, a colleague asked if I could take a few pictures of her performing during the show. I eagerly agreed and over the next two weeks I carried a camera everywhere, capturing portraits of all my friends and colleagues after work and posting the photos on Facebook. They loved the pictures and asked me to photograph their portfolios. It was not only incredibly enjoyable, but also a way for me to make new friends in a foreign place. I used to be quite shy and introverted, making it challenging to connect with people. However, I realised that through my lens, I could connect with people on a deeper level, and I felt much more at ease around them."

A black and white portrait of a pregnant woman in side profile wearing a white high-neck dress and with flowers in her hair.

"Taking portraits always brings me genuine happiness and excitement," Donatella replies, when asked why she's a photographer. "It was, and is, a means of connecting with people, bringing them joy and confidence, making them feel beautiful. This celebration of women's unique journeys remains at the heart of my work, regardless of the specific life stage captured in each photograph." Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 65mm, 1/200 sec, f/4.5 and ISO800. © Donatella Nicolini

A black and white portrait of a pregnant woman draped in a sheet of sheer black fabric and with one arm raised above her head.

Before Donatella even picks up her camera, she sets to work gathering essential information from her clients, encouraging them to create a mood board featuring their favourite images. "This serves as a valuable source of inspiration and provides a deeper understanding, as well as a visual reference for the shoot," she reveals. "I build upon it by infusing my own interpretation and artistic vision to craft and finalise the photoshoot." Taken on a Canon EOS R5 with a Canon RF 28-70mm F2L USM lens at 62mm, 1/200 sec, f/6.3 and ISO100. © Donatella Nicolini

It wasn't just souvenirs and lifelong friends Donatella returned home to Italy with; she'd found her raison d'etre. "After that, it was the only job I could imagine doing for the rest of my life. Nothing else brought me as much joy and fulfilment as photographing people and witnessing their reactions. From that point on, I dedicated my life to photography."

Much of your work is high contrast black and white, what is the reason behind this?

"I suppose I'm drawn to black and white photography because I find it to be more timeless and impactful. In the absence of colour, we can direct our attention more towards the elegant lines and shapes of the pregnant body, which is a central focus of my work."


Can you tell us about your preference for studio lighting and how it influences your creative process?

"Approximately 90% of my work is captured using studio lighting, as I consider it to be an exciting element to experiment with. I'm constantly exploring the art of using studio lighting to create minimalist compositions, which I hope convey a sense of strength and grace. I try to allocate a portion of my photoshoots to playing around with up to four lights and different colours. This experimentation allows me to create unexpected and unique images that add an element of surprise and delight for my clients."


Pregnancy, by its very nature, can be a difficult time for women, but your subjects look so content and comfortable. How do you achieve this?

"I find that by valuing the subject's input, providing clear direction, and allowing them to be an active part of the creative journey, they'll not only feel relaxed but also empowered. This approach helps bring out their beauty and confidence, resulting in images that reflect their unique and authentic self. The pre-shooting consultation, where we discuss their personality, preferences, and expectations, is the first step. It allows us to connect on a personal level and ensures that they have a voice in the creative process. During the photoshoot, I maintain a professional yet warm and empathetic demeanour. I believe in creating a safe and non-judgmental space where they can be themselves."


What piece of Canon kit can you not live without, and why?

"The Canon EOS R5 Mark II paired with the Canon RF 28-70mm F2L USM lets me cover an entire studio shoot with a single lens while giving me the quality of a prime on a zoom. That combination of flexibility and image quality has been transformative for the way I work."

One thing I know

Donatella Nicolini

"When you're starting out, becoming relevant to your audience can be an uphill battle, so I made a point of sharing my work across various platforms, whether through photography contests, Facebook groups or other social media. However, I didn't underestimate the significance of offline connections. I recognised that showing up in person and building meaningful relationships is often overlooked, but crucial. So, I actively attended photography events, networked with other industry professionals and created those valuable connections. This real-world presence became a pivotal aspect of my journey to overcome the challenge of starting out without any industry connections."

Instagram: @donatellanicolinistudio

Website: donatellanicolini.it

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